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Now We Have Power
by Sanguine Hum
supported by 6 fans who also own “The Ending Of The Open Sky”
Ah, why didn't I buy this earlier? Has been on my wishlist since it's release and Bad Elephant Music's sampler and ongoing sales campaign luckily triggered the buy. Tags given are post-progressive and post-rock, but the music feels much lighter than I usually associate with those tags. Quite song-oriented, indeed. Great music, great vocals.
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supported by 6 fans who also own “The Ending Of The Open Sky”
This is late sixties early seventies progressive psychedelic rock. Instrumental with heavy organ play.This has that organic feel that the music from the sixties, seventies had. Smoke a little pot put on the headphones close your eyes and as Mr Dobie Gray said "Get Lost in Your Rock and Roll and Drift Away".
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supported by 6 fans who also own “The Ending Of The Open Sky”
WOW! I'm blown away by this album. Everything that's awesome about 1970s prog wrapped up in an amazingly varied album. This is seriously how Yes should have continued into the 80s.
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no place that feels like
by Ellis
Another devastatingly beautiful batch of indie rock confessionals from Ontario singer, producer, and multi-instrumentalist Linnea Siggelkow.
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The experimental rock band's new record is as melodic and inventive as ever, but now with an even more honed sense of play.
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Ross J. Farrar of Ceremony creates dubby outside punk evoking the minimalism of Young Marble Giants on his second solo record.
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From Silence to Somewhere
by Wobbler
supported by 6 fans who also own “The Ending Of The Open Sky”
In the Prog Archives, this is the only album from this millennium to crack the top 45 on the all time list. The lovable grognards over there can't seem to get enough of Wobbler, and neither can I.
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